What's in a name? Whatever the answer to that question is, at least we get a name in time for the eighth awards. This is the first year the golden statuette was affectionately referred to as "Oscar." There are three conflicting stories that describe how this name came to be and none of them are particularly exciting, so my real question is 'who cares what's in a name?' Oscar is here and he is here to stay! The eighth awards have lots more superlatives in Oscar history. More "firsts" include the first appearance of the new category of Dance Direction (which only lasted three years), the first and only time an Oscar was awarded to a write-in winner (Hal Mohr for A Midsummer Night's Dream (1935) for cinematography), and the first time an Oscar was declined (writer Dudley Nichols turned down his award for writing The Informer (1935)). Moving on to "lasts," we have the last Best Picture winner that won no other awards on the night. Mutiny on the Bounty (1935) had the most nominations, with eight overall, and only took home the top prize. It's also notable for being the only movie to have three Best Actor nominees. Because of this, the Supporting Acting categories were introduced the following year. This was also the last time write-in votes were allowed (the previous year was the only other time they were allowed). This is also the last time, much to my liking, that there were more than ten Best Picture nominees. As in previous years, runner-ups were disclosed. This is how Captain Blood (1935) acquired more nominations then it brought to the door, as directing, writing, and music were all included in the runner-up spots. These three are now considered to be nominations for the movie. D.W. Griffith was also honored at the ceremony, for his pioneering work in cinema's infancy. And the results are:
Best Picture Nominees:
Alice Adams
Broadway Melody of 1936
Captain Blood
David Copperfield
The Informer
Les Misérables
The Lives of a Bengal Lancer
A Midsummer's Night Dream
Mutiny on the Bounty
Naughty Marrieta
Ruggles of Red Gap
Top Hat
What won: Mutiny on the Bounty
As mentioned above, this is the last movie (there were only two others) that won Best Picture and nothing else. It makes sense that these three movies happened early on as a) there were less categories in the early days of the Awards and b) the voting makes more and more sense as history goes on (see my culminating post on the seventh Awards). It doesn't make much sense for a movie to win the top award and not be the best in at least one other category. But alas, here we are. I'm not sure why Franchot Tone was nominated for Best Actor, but I do understand why Clark Gable and, especially, Charles Laughton was. Laughton is a powerhouse as the ruthless Naval captain. He is so easy to hate and his physical demeanor is perfect for the role. Perhaps he would have won the award if the votes didn't split with his fellow cast-mates and nominees. The movie is also an achievement in the realm of epic sea-faring scenes. The ship set feels authentic and watching the ship sail the open waters is cinematic to the last.
What should have won: The Informer
The Informer took home the most awards with four. Out of these four, it won three major categories. As previously mentioned, the screenplay was awarded the Oscar, but Dudley Nichols declined the Oscar. John Ford and Victor McLaglen won Best Director and Best Actor, respectively. This duo is strong as the overall dark look of the film complements McLaglen's drunken, and sometimes sorry, state. From the first shot of the movie, in which a large shadow shrinks down to the size of a man, to the climactic court room scene, Informer displays competence in all levels of the cinema. The score by Max Steiner introduces a memorable melody, which is almost unheard of for movies of this time. If not for some extended drunk sequences, which always annoy me, this would be even more of a classic. Regardless, this is still a must-see. It's perplexing why it didn't win as its just better than Mutiny in almost every category. Although my favorite movie from this batch is Top Hat, I cannot deny the excellence of The Informer's filmmaking.
My Best Picture nominee ranking:
1. Top Hat (8/10)
2. The Informer (8/10)
3. Captain Blood (7/10)
4. Mutiny on the Bounty (7/10)
5. Les Misérables (7/10)
6. Ruggles of Red Gap (7/10)
7. David Copperfield (7/10)
8. Alice Adams (6/10)
9. The Lives of a Bengal Lancer (6/10)
10. Naughty Marietta (6/10)
11. Broadway Melody of 1936 (6/10)
12. A Midsummer's Night Dream (4/10)
Best Picture Nominees:
Alice Adams
Broadway Melody of 1936
Captain Blood
David Copperfield
The Informer
Les Misérables
The Lives of a Bengal Lancer
A Midsummer's Night Dream
Mutiny on the Bounty
Naughty Marrieta
Ruggles of Red Gap
Top Hat
What won: Mutiny on the Bounty
As mentioned above, this is the last movie (there were only two others) that won Best Picture and nothing else. It makes sense that these three movies happened early on as a) there were less categories in the early days of the Awards and b) the voting makes more and more sense as history goes on (see my culminating post on the seventh Awards). It doesn't make much sense for a movie to win the top award and not be the best in at least one other category. But alas, here we are. I'm not sure why Franchot Tone was nominated for Best Actor, but I do understand why Clark Gable and, especially, Charles Laughton was. Laughton is a powerhouse as the ruthless Naval captain. He is so easy to hate and his physical demeanor is perfect for the role. Perhaps he would have won the award if the votes didn't split with his fellow cast-mates and nominees. The movie is also an achievement in the realm of epic sea-faring scenes. The ship set feels authentic and watching the ship sail the open waters is cinematic to the last.
What should have won: The Informer
The Informer took home the most awards with four. Out of these four, it won three major categories. As previously mentioned, the screenplay was awarded the Oscar, but Dudley Nichols declined the Oscar. John Ford and Victor McLaglen won Best Director and Best Actor, respectively. This duo is strong as the overall dark look of the film complements McLaglen's drunken, and sometimes sorry, state. From the first shot of the movie, in which a large shadow shrinks down to the size of a man, to the climactic court room scene, Informer displays competence in all levels of the cinema. The score by Max Steiner introduces a memorable melody, which is almost unheard of for movies of this time. If not for some extended drunk sequences, which always annoy me, this would be even more of a classic. Regardless, this is still a must-see. It's perplexing why it didn't win as its just better than Mutiny in almost every category. Although my favorite movie from this batch is Top Hat, I cannot deny the excellence of The Informer's filmmaking.
My Best Picture nominee ranking:
1. Top Hat (8/10)
2. The Informer (8/10)
3. Captain Blood (7/10)
4. Mutiny on the Bounty (7/10)
5. Les Misérables (7/10)
6. Ruggles of Red Gap (7/10)
7. David Copperfield (7/10)
8. Alice Adams (6/10)
9. The Lives of a Bengal Lancer (6/10)
10. Naughty Marietta (6/10)
11. Broadway Melody of 1936 (6/10)
12. A Midsummer's Night Dream (4/10)